| |
Baking Pot Codex Restoration Project, Belize
Sources Cited
| Audet, Carolyn M. |
| 2003 |
Baking Pot Codex Restoration Project, Belize. Manuscript on file (Grant #02090), Foundation for the Advancement of Mesoamerican Studies, Inc., (FAMSI), Crystal River, FL. |
|
| Audet, Carolyn M. and Jaime J. Awe |
| 2002 |
Excavation of Structure E in Group 1 at Baking Pot. In (Jaime J. Awe and Carolyn M. Audet, eds.) The Belize Valley Archaeological Reconnaissance Project: A Report of the 2002 Field Season, pp. 31-51. |
|
| Bates, Robert L. and Julia A. Jackson, eds. |
| 1987 |
Glossary of Geology, 3rd ed. American Geological Institute, Alexandria, VA. |
|
| Beaubien, Harriet F. |
| 1993 |
From codex to calabash: Recovery of a painted organic artifact from the archaeological site of Cerén, El Salvador. Journal of the American Institute for Conservation 32:153-164. |
|
| Beaubien, Harriet F. |
| 2004 |
Possible codex from Baking Pot, Belize: Preliminary conservation report. Manuscript on file (SCMRE 5804, 8 December 2004), Smithsonian Center for Materials Research and Education, Suitland, MD. |
|
| Beaubien, Harriet F. and Marilyn Beaudry-Corbett |
| 2002 |
Artifacts made from plant materials. In (Payson D. Sheets, ed.) Before the Volcano Erupted: the ancient Cerén village in Central America, pp. 159-166. University of Texas Press, Austin. |
|
| Beaubien, Harriet F. and Claudia G. Chemello |
| 2003 |
Possible codex excavated from Baking Pot, Belize: Condition Report and Conservation Workplan. Manuscript on file (SCMRE 5804, 3 December 2003), Smithsonian Center for Materials Research and Education, Suitland, MD. |
|
| Boynton, Robert S. |
| 1980 |
Chemistry and Technology of Lime and Limestone. John Wiley & Sons Inc, London. |
|
| Chemello, Claudia G. |
| 2004 |
Technical analysis of paint and ground flakes from a possible codex from Baking Pot, Belize, Manuscript on file (SCMRE 5804, dated 13 December 2004), Smithsonian Center for Materials Research and Education, Suitland, MD. |
|
| Fash, William L., Harriet F. Beaubien, Catherine E. Magee, Barbara W. Fash, and Richard V. Williamson |
| 2001 |
The trappings of kingship among the classic Maya: Ritual and identity in a royal tomb from Copán. In (Penelope B. Drooker, ed.) Fleeting Identities: perishable material culture in archaeological research, pp. 152-169. Occasional Paper No. 28. Center for Archaeological Investigations, Carbondale, IL. |
|
| Fletcher, Jessica M. |
| 2002 |
Stuccoed Tripod Vessels from Teotihuacán: An Examination of Materials and Manufacture. Journal of the American Institute for Conservation 41:139-154. |
|
| Grant, Lynn A. |
| 1999 |
Conservation at Copán. Expedition 41(2):39-44. |
|
| Hansen, Eric Floyd |
| 2000 |
Ancient Maya Burnt-Lime Technology: Cultural Implications of Technological Styles. Unpublished PhD thesis, Department of Anthropology, University of California, Los Angeles. |
|
| Hansen, Eric F., Sue Walston, and Mitchell Hearns Bishop, eds. |
| 1993 |
Matte Paint Its history and technology, analysis, properties, and conservation treatment: with special emphasis on ethnographic objects, A Bibliographic Supplement to Art and Archaeology Technical Abstracts, Vol. 30. Getty Conservation Institute and the International Institute for the Conservation of Historic and Artistic Works, Los Angeles and London. |
|
| Littmann, Edwin R. |
| 1960 |
Ancient Mesoamerican mortars, plasters, and stuccos: the use of bark extracts in lime plasters. American Antiquity 25(4):593-597. |
|
| Magaloni, Diana, Richard Newman, V. Castaño Baños, R. Pancella, R., and Y. Fruh |
| 1995a |
An analysis of Mayan painting techniques at Bonampak, Chiapas, Mexico. In (Pamela B. Vandiver, James R. Druzik, José Luis Galván, Ian C. Freestone, and George Segan Wheeler, eds.) Materials Issues in Art and Archaeology IV, Materials Research Society Symposium Proceedings, Vol. 352:381-388. Materials Research Society, Pittsburgh, PA. |
|
| Magaloni, Diana, R. Pancella, Y. Fruh, Jacqueline Cañetas, and V. Castaño |
| 1995b |
Studies on the Mayan mortars technique. In (Pamela B. Vandiver, James R. Druzik, José Luis Galván, Ian C. Freestone, and George Segan Wheeler, eds.) Materials Issues in Art and Archaeology IV, Materials Research Society Symposium Proceedings, Vol. 352:483-489. Materials Research Society, Pittsburgh, PA. |
|
| Naumova, M.M., S.A. Pisareva, and G. O. Nechiporenko |
| 1990 |
Green Copper Pigments of Old Russian Frescoes. Studies in Conservation 35:81-88. |
|
| Newman, Richard and Michele Derrick |
| 2002 |
Painted Qero Cups from the Inka and Colonial Periods in Peru: An Analytical Study of Pigments and Media. In (Pamela B. Vandiver, Martha Goodway, and Jennifer L. Mass, eds.) Materials Issues in Art and Archaeology VI, Materials Research Society Symposium Proceedings, Vol. 712:291-302. Materials Research Society, Warrendale, PA. |
|
| Scott, David A. |
| 2002 |
Copper and Bronze in Art: Corrosion, Colorants, Conservation. The J. Paul Getty Trust, Los Angeles, CA. |
|
| Shepard, Anna O. |
| 1946 |
Appendix: Technological Notes. In (Kidder, Alfred V., Jesse D. Jennings, and Edwin M. Shook) Excavations at Kaminaljuyu, Guatemala, pp. 261-277. Publication 561. Carnegie Institution of Washington, Washington, DC. |
|
Previous Page | Table of Contents |
